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Audio levels for digital modes on FM

Some knowledgeable ATV Speak

SSTV Repeater

Australian Analogue Television Broadcast Standards

Australian Digital Television Broadcast standards

Audio levels for digital modes on FM (PDF)



SSTV and Digital modes (PDF)

Audio levels for digital modes on FM

Analogue SSTV modes are generally tolerant of incorrect audio levels.  The reason this is so is that only one audio frequency is generated at any one time.  The optimum audio level into the Transmitter is just a little below what would give maximum deviation (about 3 kHz is good).  This is the balance between there being insufficient audio recovered by the receiver and added noise due to the receiver IF filter removing some of the significant RF sidebands.  Inputting excessive audio into the transmitter in most cases does not significantly degrade the result.  Digital modes using AFSK (Audio Frequency Shift Keying) are similarly tolerant.  The reason for this is that the only distortion products are audio harmonics which are outside the receiver band-pass.

The newer digital modes are not nearly as tolerant.  The popular DIGTRX program uses 8 simultaneous audio carriers and each of them uses Phase Shift Keying.  To say the least the resulting waveform is quite complex.  When there is distortion on such a signal there are not only harmonics but also intermodulation products.  These IMD (Intermodulation Distortion) products fall inside the audio band being decoded.  IMD increases rapidly as transmitter audio input is increased beyond a threshold.  The result is the loss of data as the decoder at the receiver struggles to recover the original data that was sent.  A degree of error detection and correction is available as an inbuilt part of the program (this is because the program can be also used on HF).  However it is best to minimise any errors in the first place; this also reduces decoding times.

Having access to calibrated test equipment is ideal for setting up the best levels but not many of us have this to hand.  all testing is based on comparisons with a reference.  The reference we all have available is the un-muted (un-squelched) noise from an FM receiver. Proceed as follows:

Set the volume of your receiver to a comfortable level so that the audio is not distorted on the loudest audio you receive (ie from the guy with the loudest audio).  Then with no RF received signal. listen to the un-muted noise.  Check that this is also not too loud.  Now feed this signal into your sound card (line input). Run DIGTRX and note the receive level indicator in the program.  Go to "setup", "Sound card", "Sound Card input control RX" and set the slider for the selected input so that the RX level indicator is as close as possible to 0 dB.  You have now set up your receiver and should not change these settings.

Get another station to send to you.  Initially the 2 tone test.  If the level received is greater than -10 dB (i.e. -7 or such) then the other station is sending too high a level.  Have a look at the left hand side of the Scope screen and check the IMD figure.  To have any chance of decoding easily this needs to be lower than about 10 dB.  A small reduction in transmit audio input from this point will result in a rapid improvement of the IMD to -20 dB or better.  This will ensure very accurate decoding.  Note that the received level should not disappear entirely (somewhere between -10 ans -20 dB ia a fair level although even down to -30 dB seems to work well). Remember at this stage do NOT change any settings at the receiver end.  Only adjust the transmitter end.  The transmitter settings are accessed in DIGTRX from "setup", "Sound card", "Sound card output control TX".  Adjust the sliders for "Wave" or "Volume control".

Now get the station to send a file or picture.  Watch the waterfall display for the 8 PSK carriers.  When the carriers are seen check the receive level.  It may be slightly higher than the previous 2 tone test but this is OK.  If it peaks above about -10 dB you will probably be getting some IMD though the figure in the IMD box is not a reading of this signal.

The procedure above is just one way to set up levels for DIGTRX transmission, getting the IMD good on the 2 tone test is really what matters.  Good luck!

Bruce VK4EHT

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Some knowledgeable ATV Speak

And in just case you haven't had enough of ATV, here is some more, but this time some technical stuff to think about.

We keep referring to 444.25 MHz ATV living on channel 16 which isn't really correct,
because you see there really isn't a channel 16.

So how come you can see pictures there ? well if you can you are watching the LF end of the UHF band on your tuner, told you it was going to technical.

However, Gary VK3KHB has kindly offered his advice to put us straight on a few misconceptions,  and also add to our ATV knowledge bank.

Channel 16 is not the official ATV channel number, it doesn't really have one. It's just that people got so used to a knob with Channel numbers, that for some odd reason they still need one, even though modern TV sets no longer have knobs or preset TV channels.

You now "scan" for TV signals, so when you get your new TV set, you ask Mr Antenna or your  six year old Poke'mon expert to set the Channels all up for you.

ATV became identified as Channel 16 if you count backwards in 7Mhz steps from Channel 28.    Or to put it another way, from the VHF end you started at Channel 12 VHF and count upwards  in 7Mhz to Channel 43/44. 
Confused ?
well who isn't ?

And so,  to help reduce confusion (as if we can) we adopt Channel 16 as it is not clearly defined on any TV sets,  and also counting backwards seem to make better sense for a UHF TV signal.

And now for Bandwidth of Antennas; the common commercial TV antenna is very broad, around 100Mhz bandwidth per TV band.

VHF Lo, VHF Hi and UHF band 4 all span 100Mhz, so your common TV antenna,
if it can receive all bands has 3 groups of 100Mhz bandwidth.

Now while ATV is outside that designed TV bandwidth, some designs do enhance the LF end of the UHF part of the antenna, hence why some people can receive ATV with a
"Cable ready TV set"

So if your new TV handbook states that it is "Cable ready" then it has a very good chance of being able to pick up ATV.

"Cable Ready" usually means continuous coverage from 45Mhz through to 800Mhz. and it's continuous so that you can receive the cable TV signals.

As "Cable TV" is a captured spectrum, inside a coaxial cable, it can use all of the frequencies for TV, but because the cable TV companies in OZ want you to pay per view, you still need that "set top box" to convert the modified TV signal to a watchable format.

Even the audio carriers are moved, however, their technicians do have a few un encoded Channels not receivable with the set top box, but Receivable by your cable ready TV set... Something for cable TV subscribers to hunt for.

And so, if you happen to know how, it does enable you to become a pirate cable TV station within your own street or local cable branch.

And if some of that was not too clear to you, we'll try to explain it again next time when we meet on Channel 16.

(Gary VK3KHB/Keith VK3JNB)

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SSTV Repeater

John VK4ET is operating an experimental SSTV analogue repeater on 7.055 MHz.
s location is at Brackenridge. The power output is 100 watts and his antenna is single a 1/2 wave sloper at about 13 meters in height. Operation times are 9AM to 9PM daily. His beacon is transmitting at 30 minute intervals.
A 1750 Hz tone is required to access his repeater. Pictures are to be sent within 10 seconds from his repeaters reply.
Current indications are that good signals are being received within the Brisbane area to within a 30 km radius on g
round wave from his location and encouraging signals by sky wave from further beyond.  Operating times are 9AM to 7PM daily (storms permitting). 

Information regarding this repeater is subject to change. Times and other data may change without notice.

Trevor VK4ZU's website

VK4ZU December 2005

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Australian Analogue Television Broadcast Standards



7 MHz wide channels, 4:3 aspect ratio.
625 lines and a field frequency of 50 Hz, colour subcarrier is 4.43361875 MHz, phase alteration line (PAL).

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Australian Digital Television Broadcast Standards

DVB-T transmission standard
Modulation 64-QAM
Code rate 2/3
C/N 20db
Guard Interval 1/8
Carrier Mode 8k

Australian receivers are capable of 1705 carriers (2k mode), and 6817 carriers (8k mode).

Standard Definition Digital TV

576 lines x 720 active pixels @ 50Hz interlaced (576i).

MPEG-2 digital stereo sound

Widescreen 16:9 aspect ratio

High Definition Digital TV

Australian broadcasters are currently using three different levels:-

1440 active pixels x 1080 lines @ 50Hz interlaced

1280 active pixels x 720 lines @ 50Hz progressive

720 active pixels x 576 lines @ 50Hz progressive

Widescreen 16:9 aspect ratio

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